Recently, I read The Touch by Louisa Albrect, and published by Hot Ink Press. I fell in love with the concept immediately and just had to read it. Admittedly, it advertised a few characteristics that I love to use in my own writing, such as music, musicians and magic. So, I was excited to get my hands on it! Oh, not to mention that it is an erotic novel, so yeah… that was exciting too! *snickers inappropriately*
On the whole, I did enjoy the story. The plot was well done and the characters likable. However, I was somewhat disappointed. I really wanted to love this story, and I didn’t. It’s been several days since I read it, and I’ve been stewing it over in the back of my mind ever since.
I did read it in one sitting, but that had more to do with how short it was rather than my love of it. In fact, it really was too short. There was barely enough time to develop such a complex plot and depth of character. It was sort of like this: Here are these cool people and their intricate problems. Now, let’s put them together and let sex fix everything. I wanted more in the middle. It gave me a beginning and an end and slushed right over the middle.
The main character is a singer named Benjamine. I loved this guy. But, I didn’t get enough of what made him tick. I expected more music. The descriptions that were there were fabulous, but they left me wanting more. The lead female similarly left me wanting more. After the coven finds her, she loses her memories, but the plot doesn’t really do anything with this, and leaves her feeling a little hollow. I wanted more about her discovering herself before she could help Benjamine.
The Touch had interesting side characters that were like the icing flowers on a cake; pretty and edible, but generally not necessary and completely interchangeable. Yet, there was the bud of something truly delicious sitting right there. A longer story line would allow the author to weave these extra characters into the story in a way that only that unique person could be there to make things happen. Plus, with more time, you could get to know what drives these others; how they view the main characters (for extra complexity); and what motivates them.
The final thing that had me squirming in my chair as I read was the huge amounts of grammatical errors and typos that imbued the novella. I swear this manuscript was never edited. In most self-published books and even in books published by small to medium presses, I generally do not have a problem overlooking a few errors. It is virtually impossible to get out every single one… you can find typos in books from major authors and publishing houses too. With that said, I could not keep continually overlooking the abundance of issues in this. It was too distracting.
I’m not trying to by hyper-critical. In fact, if I didn’t like the story, I wouldn’t have bothered putting these words on the page. I would have chalked it up to another disappointing failure. But, I did genuinely like this story. For only .99 it isn’t bad. However, Albrect has such a potentially beautiful story here. I wish she would take the time to develop it into a full-fledged (edited) novel.
Lynn Michaels Writes 