Category Archives: exciting

EXCITING NEWS

Beaten Track RadioBIKE WEAVE BANNER (1)
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MM Romance author Lynn Michaels to guest spot on Beaten Track Radio sponsored by Bike Book Reviews this Sunday, June 25th at 3:00 p.m. EST US. She’ll be answering questions, promoting her new book, Holeshot 2, and more!  Drop by and check out the program….
The LIVE radio show on Facebook can also be listened to from multiple formats. Check out the link above for more information.

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No Tricks – All Treats

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Boo!

It’s that time again – Halloween is approaching. Here is a special treat for you this spooky season…

Diverse Reader Blog has a great author spotlight and giveaway going on with Halloween themed messages and over 40 prizes.  Our own Lynn Michaels was fortunate enough to be able to play along and we’ve worked with her to put together a special Halloween Swag pack for our giveaway…

Now, head over to Diverse Reader and have some fun!!

Diverse Reader – No Tricks – Day 1

Diverse Reader – No Tricks – Day 2

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A study of charachter

I like writing characters that are both strong and vulnerable. I like the juxtaposition of frailty and strength within the human psyche. A super strong main character (MC) can fight the battle and kick serious ass, then afterwards fall down and cry – not broken, but nearly. That makes them feel more real to me, more human (even if they aren’t completely).

We all know one of my fav’s is Gwin. As a vampire she had both qualities in spades… along with a little psycho. Since becoming human, she’s lost some of her psycho and straddled that line between strength and fragility. She wants desperately to be loved and cared for, but she has a momentous need to be seen as the tough, invincible bass ass that she is. I tried to show this in her history in Blood Pact (The prequels – out in September). Where she comes from and why she has these two conflicting characteristics are, hopefully, evident.

As much as I love to see this in a strong female role, I love it even more when the guys have it. The man is supposed to be all strength… maybe the females are supposed to be all vulnerable. But, crossing these lines is intriguing. I’m working on a new story line about a psychic demon-hunting detective and her male handler. These two MCs have the strength/vulnerability paradigm in spades. Pepper is a hardened ex-prostitute that has been trained to use her abilities to find and fight supernatural bad guys (a.k.a. demons). She is 95% bad ass. She’ll kill you and take your name afterward… but that extra 5% is ready to crumble at the tender touch of a compassionate lover. Her handler Brad is the son of a high ranking official in “The Company,” which is the organization they work for that is committed to keeping the earth dimension free of baddies – or are they? Brad is a softy… well 80% lovable and gentle… but he’s got some strength in the other 20% and that strength keeps him from going all gooey around Pepper. He learns quickly to put up his walls, because even though he loves her, he knows she’ll break his heart. Yes, I’m having a lot of fun with these two and hope you’ll be seeing them by year end! (Watch for the Adventures of Pepper Chance!)

I’ve seen a lot of this in the Black Dagger Brotherhood series by J.R. Ward. She writes the biggest, hard-hitting, dangerous vampires that melt to nothing with horrible insecurity in the face of their women (shellans in BDB-speak). It’s inspiring, truly! If you haven’t read any this series – oh, you really should!! Here’s the link to Amazon (Dark Lover is the first book):

http://www.amazon.com/s/ref=nb_sb_ss_i_1_9?url=search-alias%3Dstripbooks&field-keywords=j.+r.+ward+black+dagger+brotherhood+series&sprefix=J.+R.+War%2Cstripbooks%2C312

I mention J.R. Ward’s books because one of the best ways to learn about writing is to study the work of writers that you admire. I think I’ve learned a lot about foiling these characteristics from this book series. I also enjoyed reading them – some of them twice! My favorite MC from this series is Quinn. He has a lot of contradictory characteristics. His bravery and strength is commendable, yet he finds it impossible to show his true feelings to the point of making his life miserable. It isn’t until he finally allows himself that vulnerability that he finds he can have his HEA (Happy-ever-after). So – redemption through frailty, yet he never loses his strength (and bad-assidness) for a minute. That makes him so interesting to me.

I’m having fun with these ever shifting paradigms! Now back to work…

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What do you do at 3 am when you can’t sleep…

ImageWrite a new blog post!  So, here’s what I’m thinking about at 3 am while the house is quiet and I’m contemplating life because I can’t sleep.

I’m finding different stages of writing novels, now that I have a few under my belt, that I like. I can sort of break it up by word count to describe what I mean.

When I first start a novel and I only have a couple thousand words in, the story is fresh and full of potential. I like that there’s still that blank page there. I need to get more down, more clay on the potter’s wheel. It is very much a new beginning.

I like it when I have 25,000 to 30,000 words in and the story is really starting to develop. I have a certain number of characters and the plot is pretty thick. The definition is starting to show. There’s movement. I know where the story is going because it’s come so far. Generally speaking it is about at the half way point. It’s like riding along the cliff. If I need to change something, this is the time to do it. I like that there’s still so much  adrenaline in the project.

Then, when I’m approaching the 50,000 mark, it’s a different type of excitement, much like finishing a race. Not just any race either, this is a marathon. So, when I see the finish line, my heart is pumping! I know I have to wrap this bad boy up. I generally finish books between 45,000 and 60,000, ideally. They can be longer, but not much. I don’t like them too much shorter either. I think if a book is less than 45,000 words, it isn’t a full novel. So, when I’m approaching that big 5-0 I know it has to come to an end, or at least an end for now.

When I do actually finish the first draft, I feel relief, a huge sense of accomplishment, and fear. Yep, fear. Because what if I didn’t get everything I wanted in there? What if it isn’t good enough? What if I messed it up? I go through a lot of that type of thing. I have to just ignore the damn thing for a while. I need to work on something else, get my mind off of it. Then, when I do get back to it for my first edit, I have fresh eyes. I can see it better, from a distance. When I’m too close, I panic and wonder. The distance between first draft and first edit is a huge help.

Going through these stages is why I think writing novels is the biggest thrill I’ve ever had. To create worlds and people and manipulate them into interesting situations is fabulous. I don’t think I’ll ever stop doing this.

 

 

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